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Showing posts with label James Gandolfini. Show all posts
Showing posts with label James Gandolfini. Show all posts

Monday, November 16, 2009

WHERE THE WILD THINGS ARE (2009) - Spike Jonze

Max is a lonely young boy. He lives with his mother and sister, but plays alone. He has no friends and lives and plays in his imagination. He’s also angry and disruptive. After he is sent to his room without dinner, Max runs away from home, finds a boat on a pond and sails to the world where live the Wild Things, giant beasts whom Max befriends. But Max’s nature creates tension within the group, and their relationship gradually breaks down. Especially the relationship between Max, and the group’s ‘leader,’ Carol.

Where The Wild Things Are had a troubled production. Some even questioned whether or not the film would see a release. But it was released and it’s a fascinating film. It’s brilliantly made. No other director than Spike Jonze could have created such a real world without resorting to solely computer generated imagery. The production is of the highest quality and Jonze has created yet another absolutely unique film.



However, make no mistake, this film doesn’t feel like it’s aimed at children. I’d go so far as to say it’s not in any way a kids’ movie. It deals with quite adult themes and is quite a dark film. It’s also quite sad and won’t have you skipping out of the cinema. But then not all films are happiness and joy. Sometimes you need something dark to even things out. Having said that, Where The Wild Things Are is a brilliant piece of work.


8/10

Monday, August 24, 2009

IN THE LOOP (2009) - Armando Ianucci

British comedies tend to be one of two things. Parochial fare that even I have trouble getting, despite living in the country next-door to Britain. Or else rom-coms that even the most effeminate male will have trouble mustering a chortle to. But occasionally, they get things right. And when they do, the results are often fantastic. Enter Armando Ianucci, one of the co-writers on Alan Partridge (which, if you haven’t seen or even heard of, close this page down immediately and seek it out). His 2005 sit-com, The Thick Of It was critically acclaimed but seen by few, and I must admit I’m one of those that missed it. God bless downloading. In The Loop is a companion piece to the series and it was released earlier this year.

British Minister for International Development, Simon Foster makes a gaffe while on national radio. He says that a war, which the British PM and US President are currently secretly pushing, is ‘unforseeable.’ While this may seem trite, it doesn’t tow the party line, and the Director for Communications, Malcolm Tucker marches in to sort the mess out. Little known to either men, US Assistant Secretary of State, Karen Clarke plans to use Foster as a meat-puppet to stop the march to war. And so begins the satire of Anglo-American politics in this modern day.



What is most apparent from the start of In The Loop is the frankly shocking amount of profanities. While this may offend some, the profanities are so vicious, cutting and inventive, that they end up leaving you laughing your arse off. In The Loop is one of the finest comedies I’ve seen in quite a while. But it’s not just down to profanities. That’d be a stupid reason to like a film. But not an unforgivable reason!

The performances in the film are all fantastic. The stand-out performance is from Peter Capaldi. He plays Malcolm Tucker, one of only two characters who makes the transition from The Thick Of It (although a great many of the actors in the film were also in the series as different characters). Tucker is one of the nastiest, most cruel characters you’ll ever see on screen. And his abrasiveness makes him highly watchable. Tom Hollander plays the hapless and Simon Foster, literally a puppet to all those around him. He’s pathetic and useless and Hollander carries this very strongly. His scenes with Capaldi are a vicious version of Laurel and Hardy. James Gandolfini is on the American side, as Lt. General George Miller, a man who has seen war and wants to do everything in his power to prevent further war unless absolutely necessary. Unfortunately he has only one scene with Capaldi, but it’s memorable.



It’d take forever to give everyone kudos for their performances, as they’re all equally brilliant. But a cameo by Steve Coogan in particular is a lesson in comedy performance. It’s a highlight. Ianucci’s script is the star of the film, and it’s to his credit that he gets such brilliant performances out of the actors delivering his lines. In The Loop is one of the best comedies of the last few years and well worth seeking out. With the new hope politics in the US, it may seem that the film arrived a little late, due to it’s savage cynicism. But in spite of this, the film is still outstanding. At this moment in time, it’s by a long shot, the comedy of 2009.


9/10