GONE BABY GONE (2007) - Ben Affleck

Over the years, Ben Affleck’s career has taken somewhat of a bashing. After the whole ‘Bennifer’ debacle, it became hard to take the guy seriously as an actor. Aside from a worthy turn in Hollywoodland, Affleck has become somewhat of a victim of his own fame. So it’s interesting that his third trip behind the camera (after two films that never even saw a release) has garnered such positive feedback. Gone Baby Gone has been quite a success in the states, and after being delayed due to the Madeline McCann case, finally gets it’s release this side of the water.

Taking place in Boston, Massachusetts, Gone Baby Gone centres on Patrick Kenzie, a private detective who specialises in finding people who ‘fell through the cracks.’ Patrick and his girlfriend/associate, Angie are hired by Bea McCready, the sister in law of drunk and sometimes junkie Helene McCready. Helene’s 4-year old daughter Amanda has been kidnapped. Against almost everyone’s wishes, Patrick takes on the case to find Amanda. But as he investigates the kidnapping, it appears that the case may not be a simple kidnapping.



Gone Baby Gone is written by Dennis Lehane, the author of Mystic River. And as such, Gone Baby Gone feels quite like Mystic River. In both style and mood. Both stories take place in Boston, and both stories deal with quite dark subject matter. And while I found myself somewhat baffled with the love that Mystic River garnered from pretty much everyone, I also find myself a bit mystified by the universal love for Gone Baby Gone.

Gone Baby Gone is quite an impressive film from Ben Affleck. He has directed before, but this is his first big release, and he does quite well in the director’s chair. Where the film falls somewhat flat, however, is in the story department. Half of Gone Baby Gone is quite excellent. But the second half of the film takes a twist that makes the film kinda ridiculous. It’s a thriller so twists can be expected. But the twist, and the many twists after this are just a little too over the top. And the sequence of events that lead to the twist are also rather silly. It’s difficult to say much without giving anything away, but it’s all a little too tenuous and unbelievable.



The performances, on the other hand, are all excellent. Ben’s brother Casey, as Patrick Kenzie, again shows his talent after his breakthrough performance in last year’s The Assassination of Jesse James By The Coward Robert Ford. He’s clearly got the chops his brother seems to be without, and he carries the film well. One particular scene, set in a bar room early in the film shows the talent both brothers have and is almost terrifying. Amy Ryan, who garnered an Oscar nomination for her performance as Helene McCready is also brilliant. Her character is pretty loathsome, and Ryan really pulls this off. It’s an excellent performance. Two of my favourite actors, Ed Harris and Morgan Freeman also fill out the cast. And while they’re both on their usual brilliant top form, their characters are involved in the twists and it somewhat detracts from the overall experience.

Don’t get me wrong, Gone Baby Gone isn’t a bad film. The first hour or so of the film really is excellent. It’s like watching The Wire without the wiretaps. It’s just a damn shame the later part of the film lets the first part down so much. Excellent performances and solid direction cant save the film after it takes such a bizarre and ill-judged twist. It’s not the fault of the actors or director, but the fault of the story. Could have been so much better.


5/10

THE HEARTBREAK KID (2007) - Bobby Farrelly and Peter Farrelly

Okay, look. I’ve enjoyed some of the Farrelly Brothers films before. Although with this, and Kingpin, you probably wouldn’t think so. I’ve enjoyed a few of Ben Stiller’s films. And when the two (or should that be three) came together in the past, the Farrellys and Stiller made a great film in There’s Something About Mary. So the collaborators must have hoped that lightning would strike twice when they made The Heartbreak Kid.

Stiller again plays the put-upon guy who’s a victim of circumstance and the crazy people who surround him. He’s a little bit crazy, but it takes someone even crazier to bring it out of him. Stiller plays Eddie Cantrow, a terminally single man, with no hopes of getting married. He (inexplicably) goes to his ex girlfriend’s wedding and realises he must do something if he doesn’t want to end up single for the rest of his life. Fate intervenes when Cantrow helps a girl, Lila, who’s just been mugged. Lila seems like the perfect catch. Smart, funny, caring and very attractive. She gets offered a job abroad. To avoid losing this perfect girl, Cantrow proposes. The couple get married and head off on their honeymoon. But Lila’s personality quickly changes and she proves to be a bit of a handful. Cantrow then meets Miranda, and realises SHE is the perfect woman. And so he begins a relationship with her, while trying to avoid his psychotic new wife.



The Farrelly brothers movies have evolved quite a bit since the balls to the wall craziness of Dumb And Dumber. With There’s Something About Mary, they found the perfect balance between the craziness and a certain sweetness to the love stories that are essentially the focus of their movies. But since Me, Myself And Irene (which is my personal favourite of their movies, since I’m a big Jim Carrey fan), the Farrelly brothers haven’t quite gotten it right. The Heartbreak Kid was the best chance they’ve had to regain some of that lost glory, since they’d be on familiar ground with Stiller. But this film just doesn’t cut it.

As I discovered after I’d seen the movie, The Heartbreak Kid is actually a remake of a 1972 film starring Charles Grodin and Cybil Shepherd. I’m quite sure the Farrellys have changed quite a bit of the source material since remaking the movie. They’ve injected their own brand of gross-out humour into the movie, and I must admit, I did laugh during these moments. But I was laughing out of shock more than hilarity. It’s just a shame that these moments are so few in the film. In between, we’re left with a bland, repetitive love story that quickly bores.



I used to like Ben Stiller. His earlier films were great. But somewhere along the way, his schtick just got repetitive and then quickly became annoying. And here, it’s toned down, but there are moments where it creeps back in. And I could have done without that. His performance in There’s Something About Mary was far more interesting, being a normal, dead-pan guy who suffered some horrible circumstances. The now trade-mark Stiller freak out has been done to death. So why do it again? Michelle Monaghan’s character is simply the girl from the average romantic comedy. She suffers little to no mishaps (this is after all, a wacky comedy) and gets off scot-free, which is all too easy. All the comedy is saved for Malin Akerman as Lila. And she gives it socks, fair dues to her. But when she’s not on screen, there are no laughs. And that includes when ‘comedian’ Carlos Mencia is on screen. His character, Uncle Tito seems to have gotten lost on the way to the set of the latest Adam Sandler crapfest and stumbled into this movie. Utterly pointless.

It’s a damn shame that the Farrellys can’t find their form again. They’ve made some very funny movies, and I sincerely hope they’ll pull it off again. But The Heartbreak Kid isn’t that movie. I must admit it’s not quite as bad as I’d dreaded when I went in. But considering it’s not a good movie, that shows just how low my expectations were.


4/10